The Wonder Years Album Review free essay sample

An In-depth Analysis of The Wonder Years Suburbia Eve Given You All and Now Im Nothing as a Concept Album The Wonder Years have been raising eyebrows since they flirts came into the Pop Punk scene in 2007. This was apparent in their third full-length album Suburbia Ive Given You All and Now Im Nothing. The thing that intrigues fans most about this band is the front mans storytelling ability. Singer/songwriter Dan Soupy Campbell has developed his very own characteristic way of writing lyrics. He does so in a way that Is real and personal. In the album Suburbia, Campbell takes a concept approach o his songwriting. Campbell has stated In many Interviews and album reviews that the concept of the album is Allen Ginsberg poem America. (Boney) The Wonder Years is a pop punk band based out of Allendale, Pennsylvania. Their first album, Get Stoked on it! , was released in 2007 and was not very serious at all. We will write a custom essay sample on The Wonder Years Album Review or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page Nearly every song off the album was either about cereal brand characters or other goofy Icons.Once the band realized how many people they were bringing in to shows, they decided to have a change of pace. Instead of singing about ninjas and dinosaurs, Soupy started singing about his life on the road and fighting his oppression. The 2010 release of The upsides defined the band. Members of the band found themselves feeling the familiar feeling of depression. After getting tired of beating themselves up everyday, they adopted the motto Im not sad anymore. This became a cult theme that all of their fans now follow. A lot of fans started going to Campbell after shows.They would talk to him about how the album literally saved their life or they would ask him for advice, leading Campbell to state In many Interviews that this motto was not a statement at all. Not that he truly does not feel ad anymore but that it is a battle cry for somewhere he wants to be. These were not the kind of songs where the singer goes on about drugs, partying, or how much money he has; these were songs about his life. They were stories where he used names and Instances of real friends and real people he knew.The upsides was written about Campbell stay In South Philadelphia along with other members who were at different colleges. Suburbia would be about The Wonder Years life after touring, about their life coming back home to Allendale, Pennsylvania. Dan Soups; Campbell attended Temple University in Philadelphia. His major was Secondary Education and English. Although, he dropped Secondary Education because he was touring, he still graduated in May of 2011 with an English degree. With English being a strong point in his past, it is apparent why his style of writing has caught the eye of so many.Campbell conceptualized the album Suburbia based on bands he grew up listening to, He loved the Idea of having a point of reference for an album: it makes the album a lot more fun to listen to and gives it more meaning. The theme for Suburbia came to Soupy while he was trying to figure out a hem. While attending the graduation of his band-mates girlfriend, he noticed the poem America by Allen Ginsberg. Soupy was already a big fan of Ginsberg work, since the poem was written thirty years prior to Campbell birthday, and after with what was going on throughout the band.The poem America is about all the problems that Allen Ginsberg faces while living in this country. Ginsberg starts off by writing America Eve given you all and now Im nothing (1). Ginsberg continues about how having a different background has greatly affected his life in America. Along tit being homosexual, he was raised as a communist and is a practicing Buddhist. America is personified as something Ginsberg once loved as a child. America promised so many positive things to be brought upon the people that lived there. Growing up made him realize the kind of oppression that was pushed onto him. America stop pushing I know what Im doing (24). Allen Ginsberg also faced depression throughout his life. A lot what he felt was brought upon him by Americas view on many things. America became extremely paranoid because of the wars. Ginsberg later states how peace in America was slowly becoming nonexistent and owe it was hardly okay to be Chinese, African American, or Native American. Because of his communism and Buddhist religion Ginsberg rejects Christianity; l wont say the Lords prayer (37). He says this in a way that means that he will not conform to what society thinks he should be like.He is a perfectly sane man; he does not call out America for its faults, therefore, he should not be called out for his. In the album Suburbia Eve Given You All and Now Im Nothing, Dan Soupy Campbell wanted to tie in the album with something he felt that not only he, but a lot of his listeners could relate to. He Jumped onto the idea by being influenced with bands he grew up with like The Hold Steady and Saves The Day. In an interview by Pat Haynes, Campbell confesses to being impressed by the songwriter for the band The Hold Steady. He wanted something like that for The Wonder Years.Suburbia combined elements of the previous album The Upsides along with America. The very title of the album is a spin on the first line of the poem, which is also based on how the band felt coming back to their hometown after everything they had been through. It is something that everybody could relate to, coming back home from allege after having put so much into something for so long, and then not feeling a part of it anymore, yet still cannot help but remain in love with it. The motto for the previous album, The Upsides, was Im not sad anymore which was repeated in a sung melody throughout the album.The first song off of Suburbia, Came Out Swinging, opens with a prerecorded narration of America repeating My mind is made up theres going to be trouble(34), later played by the lead guitar before the bridge. The song ends with the repeated line Came out swinging from a South Philly basement . This is a reference to the setting in which The Upsides was written. Since The Upsides was about him fighting his depression, this line symbolizes his continuing victory. The second track Woke Up Older was written for his friend Max.The line l stacked a Bouzoukis novel on a Blacklisted LOP and this time what it looked was Just what it proved to be is referring to The Upsides song Everything I Own Fits In This Backpack. The line reads l stacked Lonelier than God next to You Get So Alone Sometimes/ I know how this must look from the outside. The reference in this song is not necessarily about him. Though he still uses l but it shows how these little coincidences in life symbolize how he really is feeling, having dropped out of college and lying to everybody by saying he finished.The third track Local Man the fountain, which was rarely turned on, was flowing and sparked a realization for Soupy and the band. It was the kind of realization that made him feel like everything was not as bad as he thought. It was the kind of realization that was the basis for Im not sad anymore. The third track starts with the line the fountain was off/ this is the first time Eve been back to the city in months. This fountain, that had become the basis of his happiness, was now off; he was left alone again. This song is about how the band was left to confront their problems themselves.They are only as human as the rest of us. In America Ginsberg speaks of the way he is not perfect because he smokes marijuana, gets drunk, and reminisces on some negative aspect of his past by staring at roses in his closet. Campbell sings l dont have roses in my closet but I have pictures in a drawer. Campbell proves his innocence by adding, Im not a self help book, Im Just a bucked up kid. He isnt perfect, and unlike Ginsberg feeling the pressure of America, Campbell feels the pressure of his fans. The fourth track off Suburbia titled Suburbia is the first of the three tracks, which combined create the name of the album.This song shows how crooked the town is and how the owners of a favored bowling alley burnt it down Just to seek profit from its insurance company. The song states how every mom and pop store went under, resulting in the death of the town. The helpless feeling that Ginsberg feels for America is how Campbell feels about the town he had grown up in. Ginsberg felt like he was America. He could not blame anything that was wrong with it because he became a part of what was wrong with it. The fifth track My life as a pigeon explains The Wonder Years adopted the pigeon as their mascot.Campbell feels like that pigeon is never wanted anywhere, but it does not care if it is wanted or not. It will continue to flourish and that is how the band feels about itself. They have used this pigeon as their mascot since the release of their PEP in 2008. The song is referring to America in the sense that Ginsberg felt like Americans were always ridiculously paranoid about everything around them. The Wonder Years felt scared and paranoid about touring. A lot of the members had put college on hold and was leaving No Sleep Records to sign with Hopeless Records and was still trying to fit in to what felt like a dying genre. Summers in PA references the line in America America the plum blossoms are falling (26). In Eastern culture, the plum blossom symbolizes peace. In The Upsides Campbell mentions his friends Spiro and how he lied about his major, he makes a reference with Spiro lied about his major, then said buck the whole thing and came back to town. Campbell uses the plum blossoms to ay he does not mind falling with them in order to help his friend cope with what is going on through his life. Campbell did not mind becoming a part of the trouble that Ginsberg mentioned when he said My mind is made up there is going to be trouble (34). The seventh track l Wont Say The Lords Prayer is based on a line from America and how he should not feel guilty for not being a part of the norm of society. Coffee Eyes refers to the second line of America and is about the struggles of poverty and having grown up going to the same diner for years. This is one of the encore moments in the album. Like America, Campbell cannot help but feel at home in Allendale. Despite all the bad that has happened, there is still a lot of good that came out of it. Eve Given You All is the second installment of combination that never received Justice; the violence that Ginsberg mentioned in the poem. Dont Let Me Cave In is a song about not giving up. They mention making it big; they rated their success by touring through the Midwest, referring to the PEP recorded in 2008. The eleventh song muff Made Me Want To Be A Saint is the second song they have Ritter about their friend who had passed away. In America this line was used to describe how Ginsberg had first felt by the positive influence the country had on him. Hooded Weather uses the line Burroughs is in Tangier I dont think hell come back its sinister (21) describes a man that was banished from America due to drug trade but Ginsberg did not think this was wrong at all. Campbell uses the name Rocky and mentions how Suburbia drove him down south. The album ends with And Now Im Nothing where Campbell finally accepts this as his home and makes peace with it long with all of its flaws. The last line in America, America Im putting my queer shoulder to the wheel (93), is used by Campbell, excluding the word queer. This line is an expression to put work into something. Just like Ginsberg, Campbell feels if he wants to make this place better that has to work towards it. The song also ends with a repeated Suburbia stop pushing I know what I am doing. Representing Campbell hold on the situation. One of the most interesting things is how The Wonder Years tied the album together with the tracks Suburbia, Eve Given You All, ND And Now Im Nothing each using some variation of the Am, C, F, G progression. Dan Soupy Campbell used references from The Upsides along with the Allen Ginsberg poem America.Even if he had not intentionally created this as a concept album the result would have been inevitable. Each album The Wonder Years has made has followed their life. Each album is following them, telling a story in chronological order. Each track in Suburbia Eve Given You All and Now Im Nothing has the month and year written under the song title to show the reader exactly where they were in their life. Many of the other references such as the Hank the Pigeon as the mascot and the motto Im not sad anymore has been used solely for marketing purposes.

Answers to Questions About Commas #4

Answers to Questions About Commas #4 Answers to Questions About Commas #4 Answers to Questions About Commas #4 By Mark Nichol Here are several questions about punctuation from DailyWritingTips.com readers, including two about too, and my responses. 1. I was taught to always put a comma before the word too. I realize this is a technical part of punctuation, but I see several instances where no comma precedes too. Is there an absolute rule for this, or are there times when the comma isn’t necessary? A trend toward open punctuation, a minimalist approach to commas that includes omitting punctuation before too, has prevailed in informal writing for some time. However, I support closed punctuation and advise always retaining the comma to set off too, regardless of the degree of formality of the prose. 2. Should you place a comma before too when it’s at the end of a sentence? â€Å"He decided to go, too,† or â€Å"He decided to go too†? Does it depend on the context of too? Some writing handbooks advise that inserting the comma in such sentences is optional; it’s necessary only to signal emphasis. But in that case, it would be better to state, â€Å"He, too, decided to go.† When too is at the end of the sentence, a comma to signal emphasis might be inserted when the word indicates an additional action or thought, rather than a similar one: â€Å"He watched her jump, and he jumped too,† but â€Å"He decided to hop and skip. He jumped, too.† But these distinctions, I think, are too complicated. My solution is to always insert the comma. 3. In the sentence â€Å"The subdimensions that were measured were accessibility and responsiveness and security,† responsiveness and security go together. How should I punctuate it to give clarity to the reader? Here are several options to clarify the subdimensions; I prefer the third one, which is more direct and concise, is in active voice, and omits intrusive punctuation or numeration: a) â€Å"The subdimensions that were measured were accessibility, and responsiveness and security.† b) â€Å"The subdimensions that were measured were 1) accessibility and 2) responsiveness and security.† c) â€Å"The test measured accessibility, as well as responsiveness and security.† Want to improve your English in five minutes a day? Get a subscription and start receiving our writing tips and exercises daily! Keep learning! Browse the Punctuation category, check our popular posts, or choose a related post below:What is the Difference Between "These" and "Those"?How to Play HQ Words: Cheats, Tips and TricksWood vs. Wooden

THE ROLE OF IMPLIED TERMS IN SALE OF GOODS CONTRACTS Essay

THE ROLE OF IMPLIED TERMS IN SALE OF GOODS CONTRACTS - Essay Example Section 12 of the Sale of Goods Act 1979 protects the interests of buyers if the seller does not have a clear title in the goods. Section 13 of the Sale of Goods Act 1979 states that goods sold by description must conform to their original description, under which they had been sold. Section 14 of the Sale of Goods Act 1979 requires that the goods sold must be of satisfactory quality (Sale of Goods Act 1979). As such, title in goods, in the context of the right to sell, is the province of section 12 of the Sale of Goods Act 1979. Every sale of goods contract incorporates an implied term, namely that the right is vested with the seller, at the time when the property is to be transferred from the seller to the buyer. This right exists, only if the goods do not belong to some other person or the rights of some other person are not violated by such sale. Under the provisions of the SGA 1979, a breach of condition would be tantamount to a total failure of consideration. This condition applies even if the goods sold had been put to use (Stone 215). Section 13 of the Sale of Goods Act 1979 includes an implied term in to the sale of goods contract, according to which a buyer can reject the goods supplied, if they had not been correctly described. This right exists only when the buyer relies on the description of the goods by the seller. (Sale of Goods Act 1979). Under this implied term, goods must correspond to their original description, in sale of goods by description, contracts. The Sale of Goods Act 1979 makes it mandatory for the goods supplied to be free from any defect. Moreover, the goods must be fit for the purpose of the buyer for which the latter had purchased them. However, it must be established that the seller had knowledge about the purpose for which the goods had been bought. It is sufficient, if the buyer can establish that seller believed or knew that he was making a deceptive

The Depression and the New Deal Essay Example | Topics and Well Written Essays - 1750 words

The Depression and the New Deal - Essay Example When Roosevelt assumed office in 1933, he displaced a president who had failed to solve the riddle of 20th-century presidential communication: how to mobilize a mass public separated from him by time and space. Indeed, it is unclear that Herbert Hoover even recognized his dilemma. For most of his presidency, Hoover preferred to confine his interactions to Washington elites; he preferred not to address the national public. Throughout his presidency, he held to his belief that the depression of 1929-1939 was a consequence of economic laws and cycles, and that, consequently, his time was best spent making policy rather than communicating with the public1 (Schlesinger 1957 cited in Carcasson 1998). During the presidential campaign of 1932, Hoover rejected a suggestion that he make a series of 10minute radio addresses, saying that it was "difficult to deal with anything over the radio except generalities, without embarrassing actual accomplishments that are going forward" (cited in Abbott 1990). In contrast, Roosevelt was determined to use the new medium of radio to establish a firm relationship with the public. It was during his term as governor of New York, from 1928 to 1932, that Roosevelt developed a rationalized system for using the radio to establish a relationship with the public (Peters 2000). Roosevelt created an efficient, systematic, and predictable publicity system, one that was acknowledged at the time to be the slickest peacetime publicity effort ever seen in U.S. politics to that date (Ward 1999). Besides promoting positive newspaper coverage of the New Deal, an important function of this coordinated activity was the projection of Roosevelt's personality to the public. Its message was that the New Deal was taking positive, effective measures to help people, and the President was firmly in control of, and responsible for, this process. The organized nature of these publicity efforts carried over to the production of the Fireside Chats. According to Fine (cited in Sussman & Daynes 2004), much like radio and movie scripts, the Chats were produced by committee. Various groups of officials, from departmental officials to cabinet members to advisors who held no official government position, participated in their production. Each group produced information that was funneled to a central group charged with putting the pieces together. Fine went on to note that President Roosevelt read each draft, paying careful attention to word length and the number of s's1. He wanted short, simple statements, with no abstractions, or what he called "weasel words." He paid careful attention to the rhythm and timing of each speech, speaking each draft out loud to ensure a proper pace. He often wrote the conclusion himself, so as to end on a proper "high" note. Throughout, he used the public opinion data collected by his staff to fashion h is appeal in ways likely to resonate with his mass audience. The resulting chat, looked much like a "cuesheet for a stage play. All the signals were clearly marked: the pauses by dashes, the word to be emphasized is underlined, the phrase marked for special treatment1". In their structure,

Unit Assessment 3 professionalism Essay Example | Topics and Well Written Essays - 500 words

Unit Assessment 3 professionalism - Essay Example These interactions create relationships. Each state in the US has its own laws concerning discrimination. For any company, it is important to maintain a workplace that is free from any type of discrimination. Workplace harassment and discrimination may reduce productivity and lowers the employees’ morale. It is, therefore, very important for both management and the staff to work together to reduce this vice. To reduce workplace discrimination and harassment in the workplace, employees can ask the management to put in a formal complaints process just in case there is not one. Employees should not let things go out of hand and should seek assistance from their supervisor or the human resource department if they witness a case of workplace discrimination or harassment. In addition, employees gets hired into an organization they should go through the policies laid down so as not to participate in any acts that may seem like harassment or discrimination. Employees should always report any forms of harassment or discrimination through the proper channels so that employers can deal with the cases and reduce cases of lawsuits and low productivity. According to DuPont (1998), everyone in a n organization should always be professional. For the most, part we notice different thing about people. According to Nelson (2004), one main aspect that we notice about others is their age. Some people may form prejudicial opinions based on this. Most employers are prejudiced when it comes to the older generation. An employee may feel as though they are being discriminated against due to their age when a promotion that they feel they were meant to get is given to a younger employee who does not have the necessary skills to take up that position. The employee may have the necessary skills and more than enough work, experience and still be passed off during an offer for a

Contemporary Issues in Criminology

Contemporary Issues in Criminology Critically discuss its theoretical underpinnings and evaluate whether this theoretical approach serves as a useful explanation of criminal behavior in modern Britain. The idea of cultural criminology indicates both exact viewpoints and extensive orientations that have come forward in criminology, sociology, and criminal justice over the past few years. More distinctively, cultural criminology stands for a perception performed by Ferrell Sanders (1995), and equally in employment by Redhead (1995) and others (Kane 1998) interlinks prà ©cised academic threads to discover the meeting of cultural and criminal procedures in current social life. Cultural criminology sees the sights of the numerous traditions in which cultural dynamics interlink with the performances of crime and crime control in contemporary social arrangement; put in a different way, cultural criminology lays emphasis on the centrality of meaning and demonstration in the structure of crime as temporary occasion, sub cultural effort, and social issue. From this view, the suitable topic material of criminology goes beyond traditional ideas of crime and crime causation to contain images of illegal behavior and representative displays of law enforcement; accepted culture constructions of crime and criminal act; and the mutual sentiment that animate criminal events, awareness of criminal risk, and public labors at crime control. This widespread cultural focal point, cultural criminologists argue, permits academics and the public identical to better appreciate crime as significant human activity, and to break through more intensely the contested politics of crime control. At a basic stage cultural criminology incorporates in this way the imminent of sociological criminology with the directions on the way to the representation and mode accessible by the field of cultural studies. Inside this extensive union of the criminological and the cultural, though, cultural criminology has come out from a quite more multifaceted co-evolution of sociology, criminology, and cultural analysis. An essential first point in this emergence is the job of academics related with the Birmingham School of cultural studies, the National Deviancy Conference, and the â€Å"new criminology† in Great Britain throughout the 1970s. Reconceptualizing the character of modern power, these academics discovered the cultural and ideological extents of social class, observed relaxation worlds and prohibited subcultures as sites of stylized conflict and alternative sense, and investigated the mediated ideologies motivating social and lawful control. Any regulation that is living and affluent is a topic to ordinary processes of regeneration and refreshment. Criminology is the alike. It has had its humanist Marxist, feminist, and rationalist, between other reappearances and is presently bein g delighted to one more ‘paradigm shift’ in the shape of a self-styled ‘cultural criminology’. A current unique issue is Theoretical Criminology (2004), which was dedicated to the appearance and predictions of this new kid on the rational block. According to Hayward and Young’s opening essay of the particular topic, cultural criminology is: ‘the placing of crime and its control in the background of culture; that is, observing both crime and the organization of control as cultural products –as inspired creations. (Hayward and Young 2004: 259). The latest criminology’s focal point on top of all on the method in which human actors generate meaning and try to find to use this diagnostic focal point to discover the attractions of disobedience or rule contravention activity (ibid.: 260, 266). Casting its academic custom back to 1960’s radicalism and the concentration to strangers and unusual subcultures towards which that radical ism leaned in criminological job. Certainly cultural criminology describes it self as, and revels in, working ‘at the edges of ‘conventional criminology, for two purposes, firstly, because ‘it is here, in these forgotten gaps that the feature of crime so often opens out, and secondly for the reason that conventional criminology is conquered by ‘managerial rationalization and statistical difficulty. Certainly, whether criminology actually does present a new rational attempt rather than a reasonable amplification of earlier work on unusual subcultures is it self arguable –admirable of a split paper and an appropriate chronological likeness. There are connections between crime and culture. Criminal behavior is, more regularly than not, subcultural behavior. From the interactionist criminology of the Chicago School and Edwin Sutherland to the subcultural theories of Cohen, Cloward and Ohlin, and others, criminologists have long accredited that events and i ndividualities named criminal are classically produced inside the limitations of unusual and criminal subcultures. In this sense, a lot of what we acquire to be crime is fundamentally communal behavior; whether carried out by one person or lots of; exacting criminal acts are habitually prepared within and initiated by subcultural crowd. Despite the fact that the limitations/boundaries may stay ill-defined, and the relationship may shift in unpleasant numbers and stage of assurance, these subcultures compose ultimate human links for those who partake in them. Biker, hustler, Blood and Crip, pimp and prostitute all name subcultural networks as much as individual personalities. Since Sutherland and the Chicago School identified a half century ago, and as immeasurable case studies have since established, criminal subcultures integrate way further than easy immediacies of private relationship. To have a word of a criminal subculture is to distinguish not only an organization of people, but a set of connections of symbols, denotation, and awareness. Components of a criminal subculture are taught and discuss â€Å"intentions, force, rationalizations, and attitudes; expand detailed conventions of language, look, and appearance of self; and in so doing contribute, to better or minor grades, in a subculture, a combined way of life. A large number of this subcultural meaning, exploit, personality, and condition is planned around style, that is, something like the common aesthetic of the subcultures members. As previous researchers have established, delicacies of cooperative style describe the sense of crime and deviance for subcultural contestantants, manager of legal control, clients of arbitrated crime descriptions, and others. If we are to understand both the terror and the plea of skinheads, Bloods and Crips, graffiti writers, zoot suiters, impolite boys, drug users, and others, we have to be able to make sense not only of their criminal acts, but of their group aesthetics as well. Katzs study, for instance, has related criminal acts and aesthetics by investigating the styles and symbolic meanings which appear inside the daily dynamics of criminal proceedings and criminal subcultures. By paying attention to dark sunglasses and white undershirts, to accurate styles of walking, talking, and if not introducing ones criminal character, Katz has outlined the alternative deviant culture, the coherent deviant ‘a ‘esthetic in which badasses, cholos, punks, youth gang members, and others take part. In these cases, as in other models of crime on and off the street, the significance of criminality is secured in the style of its collective performance. The bikers ritually rebuild motorbike, the gang members sports clothing and tattoos, the graffiti writers strange street pictures, and the skinheads aggressively challenging music compose the vital cultural and subcultural equipment out of which criminal schemes and criminal individuals are raised and demonstrated. For once more, contribution in a criminal subculture, or in the culture of crime, funds participation in the symbolism and style, the shared aesthetic atmosphere, of criminality. From earlier on labor within the British cultural studies tradition to Katz and more modern criminologists, studies have exposed that representation( symbolism) and style not only form criminal subcultures, but interlink with the wider social and official associations in which these subcultures are wedged. Criminal subcultures and their styles both breed out of class, age, gender, ethnic, and legal differences, and by turns duplicate and oppose these social mistake lines. And this interaction of subcultural style, difference, and power in turn reminds us of Beckers classic criminological command, that we must observe not only criminal subcultures, but the lawful and political authorities who build these subcultures as criminal. When we do, we find these authorities both acting in response to subcultural styles, and themselves utilizing symbolic and stylistic approaches of their own in opposition to them. The criminalization attempts of legal and political supporters show again the control of cultural forces; in criminalizing cultural and subcultural actions, and campaigning for communal support, ethical capitalists and legal auth orities influence legal and political structures, but conceivably more so structures of mass symbolism and perception. To appreciate the actuality of crime and criminalization, subsequently, a cultural criminology ought to report not only for the dynamics of criminal subcultures, but for the dynamics of the gathered media too. Nowadays, arbitrated pictures of crime and criminal violent behavior wash over us in wave after wave, and in so doing help form public insights and strategies in look upon crime. But obviously these modern cases constructed on prior arbitrated structures of crime and control. The criminalization of marijuana in the United States a half century ago was forecasted on an attempt to awaken the public to the threat dealing with it by means of `a didactic campaign recitations the drug, its recognition, and evil consequences. Forceful gang behavior and police attack on zoot suiters in the 1940s were assault by the increase of an unmistakably hostile symbol in Los Angeles newspapers. In the mid-1960s, shocking media reports of rape and assault placed the circumstance for a permissible campaign in opposition to the Hells Angels; and at approximately the matching time, lawful harassments on British mods and rockers were lawful throughout the medias consumption of sensitive symbols.† In the 1970s, the mutual relations amid the British mass media and criminal justice system formed a discernment that mugging was a terrifying new injures of crime. And throughout the 1980s and untimely 1990s, mediated horror legends justified wars on drugs, gangs, and graffiti in the United States, and shaped instants of mediated moral panic over child cruelty and child pornography in Great Britain. This development away from penal borders, this combination of conflicting scholarly viewpoints, this centered on positioned cultural dynamics, all naming prospects not only for a serious cultural criminology, but a kind of postmodern cultural criminology on top. Current social, feminist, and cultural speculations are increasingly moving further than penal restrictions and distinct classes to generate artificial, postmodern outlooks on social and cultural life. Despite the fact that patent by their assorted and different components, these perceptions allocate some wide-ranging thoughts, between them the concept that the on a daily basis culture of persons and groups integrates commanding and contradictory extent of style and sense. The symbolism and style of social interaction, the culture of everyday life, in this way materializes a contested political ground, representing samples of dissimilarity, supremacy, and opportunity. And these samples are in turn tangled with superior struct ures of mediated information and amusement, cultural manufacture and expenditure, and official and political authority. Seeing that the type of cultural criminology outlined here expands, it can incorporate criminology keen on these artificial lines of located inquest now rising under large captions like postmodernism and cultural studies. Cultural criminology therefore offers criminologists the chance to improve their own perceptions and perspectives on crime with approaching from other disciplines, whilst at the same time providing for their social group in cultural studies, the sociology of culture, media studies, and somewhere else priceless prospects on crime, criminalization, and their association to cultural and political procedures. Meandering or breaching the limitations of criminology in sort to create a cultural criminology in this sense destabilizes contemporary criminology less than it increases and enlivens it. Cultural criminology expands criminologys field to compris e worlds predictably measured external to it: gallery art, trendy music, media companies and texts, style. In the equal way, it institutes criminology into contemporary arguments over these worlds, and labels criminological points of view as crucial to them. The particular relations between culture and crime, and the wider relationship among criminology and contemporary social and cultural life, are both explained within cultural criminology. References: Ferrell J. (1999) Cultural Criminology, pages 395-418, Annual Review Of Sociology. Vol.25 http://www.albany.edu/scj/jcjpc/vol3is2/culture.html http://www.culturalcriminology.org/ O’ BRIEM, M. (2005) what is cultural about cultural criminology? British Journal Criminology, [Online] Available: URL: E:UniModulesWhat is Cultural About Cultural Criminology O’Brien 45 (5) 599 British Journal of Criminology.htm [1

Chinua Achebe Essay -- essays papers

Chinua Achebe Chinua Achebe is said to be â€Å"one of the most influential writers† of the century not only in Nigeria, his homeland but also throughout the world (Albany). Chinua Achebe was born in Ogidi, Nigeria on November 16, 1930. He was born a son of a Chrisitan Churchman, Isaiah Okafo and Janet N. Achebe. Achebe was raised an Ibo Christian, which made him stand out among his fellow peers. Achebe’s lifestyle was different than that of other people living in his village because of his religious background and upbringing. When Achebe was fourteen he began schooling at Government Albany College in Umuahia for three years. He then attended the University of Ibadan from 1948 through 1953. Following his education at the University of Ibandan Achebe earned his Bachelors Degree from London University in 1953. It was a year later when Achebe was named Talk Producer of the Nigerian Broadcasting Service. Then in 1956 Achebe began to study broadcasting at the British Broadcasting Cor poration in London. (Critical Survey of Short Fiction) Finally in 1958, Achebe’s first novel, Things Fall Apart was published. (Albany) Following the completion of his first book, Achebe became the founding editor of Heinemann’s African Writers Series. Since writing his first novel Achebe has won many awards and honors for his publications. Among these awards and honors are the Commonwealth Prize, and the highest award for intellectual achievement in his native country Nigeria. (Albany) Following the Nigerian civil war, Achebe was named Senior Research Fellow at the University of Nigeria. Presently he lives in Nsukka, Nigeria where he teaches, Achebe also spends a lot of time lecturing at major Universities. Achebe is married to... ...ting Achebe hopes to eliminate some of those stereotypes and create an opportunity for people to have a better understanding of Africa and the people who live there. He has accomplished this goal by writing from his own personal experience and using his diverse background as the roots of his knowledge and style of writing. Bibliography: Achebe, Chinua. â€Å"Civil Peace.† One World of Literature. Ed. Shirley Geok-Lin Lim and Norman A. Spencer. New York: Houghton Mifflin. 128-133. Achebe, Chinua. â€Å"Chinua Achebe.† Critical Survey of Short Fiction. Ed. Frank N. Magill. 3rd ed. New Jersey. Salem Press, 1981. 819-823. â€Å"Why The Tortoise’s Shell Is Not Smooth.† Discovering Literature. Ed. Hans P. Guth and Gabriele L. Rico. 2nd ed. New Jersey: Prentice Hall, 1997. 12-14. Culross, Melissa. Postimperial and Postcolonial Literature in English.

Ojt Report

History of PC Gilmore Fast-becoming one of today's leading computer distributors and systems integrators, PC Gilmore Computer Center, or PC Gilmore Corporation, boasts of the widest reliable brands of computer products and services of the highest quality at very low prices. In short, we are a virtual discount computer outlet store. Formed in 2001 under the original name West Avenue Computer Center, PC Gilmore started out as a computer-retailing business with a vision to deliver utmost customer satisfaction at competitive prices without compromising quality.As such, this immediately impacted on its clientele base and soon thereafter, the Company expanded operations by offering systems integration solutions and internet telephony as well. It eventually branched out to Metro Manila suburbs to meet its ever-rising customer demand. Despite the rapid pace in the information technology industry, PC Gilmore has managed to keep abreast of the competition. To date, the Company has five (5) sal es offices and service centers manned by dedicated and well-trained personnel to serve individuals, professionals, business offices, government entities, commercial establishments, schools and among others.These are located at: †¢PLATINUM †¢VMALL †¢CUBAO †¢WEST AVE †¢SM NORTH †¢CALOOCAN †¢HARRISON †¢MOA And because of the Company's â€Å"overachievement† since its formation only in 2001, PC Gilmore is very optimistic that it would soon be able to expand further its branch network operations within and outside Metro Manila and possibly in selected areas of Luzon. This is in line with our utmost commitment to reach out to our far-flung customers old and new.

Years of Impossible Goodbyes Essays

Years of Impossible Goodbyes Essays Years of Impossible Goodbyes Paper Years of Impossible Goodbyes Paper Years of Impossible Goodbyes Years of Impossible Goodbyes, written by, Kook Null Cool, Is a very emotional and suspenseful historical novel. Kook Null Cool was born In the sasss In Pyongyang, North Korea. She wanted to share her experience with the people, and let them know about one of the turbulent period of the Korean history. Told by a first person narration; Samoan, the protagonist, tells the story. Place back in the years of 1945- 1946, within Krimmer, a village in the Pyongyang, North Korea, about a childs (the authors) past life, talking about her familys courage, love, and determination to find freedom from the North Koreans near the ending of the World War 2. In this novel, Samoan, the mall character, endures the cruelty of the Japanese occupation forces. She was only ten-years-old when all of it occurred. In the story, she was a very courageous child, suffering from the lost of her father and brothers, to the labor camps, and to the death of her beloved grandfather, she still hung tight. She cared deeply for her family; mother, father, brothers, aunt, cousin, and friends. Always acting to protect her brother, as well as listen when told to. Samoan speaks for herself, and says what she think Is right, for example, suddenly one of the big boys shouted, Stop, stop, stops Dont you know that we will stab you bastards firstly Well help the Americans destroy you all! You killers! The students gasped. But I clapped my hands in delight. (80-81 Through the passage it shows that she is a very independent speaker, and thinker. Then I realized all the first and second grade girls standing around me were starring in silent horror. Marina Sensei came over to me and hit me so hard that I fell to my knees crying. (81 Through that excerpt, you can see that Samoan did frequently get in trouble for speaking her mind, but she did what was right. The Japanese had a really dominant grip over the Koreans, additionally into the story after the Japanese left, the Russians came and conquere d the Northern Koreans. Hence, the type of conflict in this novel is man vs.. Man. The Japanese took over the Koreans and made them do whatever they wanted; learn their language, wear their clothing, and do their dirty work. Samoan and her family wanted to get out of their grip, and thus they were free when the Japanese lost the war to the Americans, White Devils. Not soon after, the Russians came over, and established a Communist government in North Korea; in addition to that, they would kill any traitor who crosses over to South Korea where the united Nation was. An excerpt from the book that would support the killing of the traitor is, l cant go. If I disappear, the Russians will notice immediately and will send a search party after me. Then wed all get caught and be brought back ere to face the machine guns. (122) Sonars father and two older brothers were already over in the south; while her mother, younger brother, aunt, cousin, and she, were still in the north. Sonars aunt and cousin became a double agent, helping Samoan and her mother plus brother out of the south. Her father then hired a guide to guide them towards the south, but on the way there her mother gets stopped at a checkpoint, and in addition to that, the guide leaves them at a house and runs off. Canon Ana near younger Trotter winner stuck together Walt no adult gulled whatsoever, and since as the older sister, she had to take care of him. Seeking help from an old woman that owns an inn, they found out that the guide too, was a double agent for the Russians. After wondering around for about three days without an adult; scared as she was, Samoan and her brothe r looked for help from the Russian guards at the checkpoint who stopped their mother. They where brought inside to be questioned and soon after let go. Heading back to the train station they got help from a kind man. He told them where to go, and what to do to get across to the south. They followed the direction as so, carefully trying to avoid the watch light, dogs, and guards of the Russians. Making the softest sounds ever, they carefully crossed. Running with all their might at the last stretch; hearing the Russian dogs barking and soldiers screaming, they made it all by themselves. The Americans lend them a hand, nursing them back to health when they crossed. When Samoan and her brother where back in good shape, the Americans found her father and brothers, but sadly no mother. Six months later, she came to their house that was now in Seoul, South Korea. Captivated by one of the Russians to be a maid, she managed to escape and found Samoan and the family. As well as as for Sonars cousin and aunt, they were marked as traitors, thus they where shot and hung in the town square of North Korea. She had to face her fears, and manned up Just to save her brothers and her life. An example of her courageousness for her brother was when they where brought into the Russians headquarter for questioning, and when they took her brother she spoke up saying, l am his nana and we go everywhere together. Can I come too? She got pass her fears and became a brave young girl. This historical novel to me was a very inspiration story. Its inspirational for the fact that, a young girl like Samoan, took on the responsibility of caring for her brother through the scariest and hardest time; all by herself. Something that was very surprising to me was how the lost of her family did not really keep her down; it Just gets her back on her feet again. With each knock down she got stronger. The story also gives you a feeling that you are back in the days of World War 2. Having the leaning that whatever she is going through, you are going through with her. Kook Null Choc really knows how to write stories. She pulls you in so well, and gives you so much information through her books. This is an incredibly compelling story of a young girl going through the roughest times at such a young age with immense responsibility. Years of Impossible Goodbyes is a must read. Having a part of history and a story together in one astounding book, what more do you possibly want? Canon, KOOK Null. Year AT Impossible Dyes. New York, NY: Houghton Muffling Company, 1991.

Cultural Conflict Essay Professor Ramos Blog

Cultural Conflict Essay Cultural Conflict Essay

Final Project Assignment Example | Topics and Well Written Essays - 250 words

Final Project - Assignment Example Pricing is determined by the extra cost incurred in producing one extra unit of the commodity such that price is equated to marginal cost i.e. Price=MC.Since the main objectives of these firms is to maximize profit the following measures are appropriate for the respective firms. Firm 1: This firm should retain its price at 4 units and maintain it’s AVC at 3units so that it can maximize profit and minimize loss. This is because as long as P>AVC the firm will recover its cost of operation plus extra revenue which goes to profit. Firm 2: In this firm the price is 10 which equals MC at 10 and therefore qualify to be in the competitive market but since VC>TR it will make losses as the firm is not even meeting the break-even point. The policy to be adopted by the firm is to reduce the variable cost and squeeze the fixed cost which is not affected by the variations in output. Firm 3: In this firm the losses arises from employing many variable factor inputs which outweigh the fixed and therefore the best recommendation is a freeze in employing variable factor inputs like reducing the casual labor size. Firm 4: In this firm the price (25) is greater than AVC i.e. P>AVC and this already ensures that it beat the break-even point. This is responsible for its zero economic profit. For the firm to do better it either maintains its current output or reduce price. In a monopoly market, the firm tends to be the sole seller and therefore have power to give any price through manipulating of the output (Hall, Robert & Marc, p 64). Under this market structure, for profit maximization the MC=MR. In this respect the firms above needs the following

Ideologies as a Form of Oppression Essay Example | Topics and Well Written Essays - 1000 words

Ideologies as a Form of Oppression - Essay Example I am of the opinion that Berger’s statement is one of Marxist elements. Advancing the idea of classes, and in a subtle way, brushing on class struggle and conflict caused by class segregation in society. Berger is presenting the labour world as one that has borrowed heavily from the feudal system that existed in medieval Europe. However, the emphasis on labour has fallen short of its purpose because of its focal point of comparison. This is because research on the symbolic meaning of this painting, reveals that it has many religious concepts. Most scholars are of the view that the painting’s symbolism illustrates the conflict between secular and religious authorities. There is little mention of the conflict between the rich and the poor. Berger’s statement is, therefore, subject to personal testimonies. Though he is a scholar of the art world himself, symbolism will always remain a personal reflection of ideas unless there is a presentation of undisputed evidence . One instance of evidence giving would involve giving another painting as a comparison to The Ambassadors. There are paintings that represent states of poverty in Europe like Spain 'Street-Boy of Seville' by Bartolome Esteban Murillo (1618-1682) or France 'Charity' by Adolph William Bouguereau (1825-1905). From the ideas expressed in the first paragraph of this paper, there appears to be a clear and direct link between events in history and those in present times. One can conclusively state that there is no present without a past. The occurrences of the present times are largely dependent on what happened in the past.